SR77 said:
Robert,
I read on here that most people recommend keeping the pad flat on the panel to minimize holograms etc. Why do you recommend holding the pad at an angle (12-3)? Any difference between keeping the pad flat vs. at an angle? Just trying to figure out why some people insist on keeping the pad flat while others say at an angle, thanks
The angle isn't that high and by using a knitted wool, electrified wool, or foamed wool pad and as I said running the contact patch parallel to the apex of the curve I keep the pressure even. I don't have to use as much product so the product doesn't slurry around under the pad and bounce across the paint, or get thrown around, because it's more stuck to the pad. I think you'd find that even the guys who advocate running flat have just a little more pressure up in that area just in the interest of consistent feedback from the machine.
In my experience, there are really very few absolutely flat panels on cars. That's why I tell people to be aware of the apex of the curve. I start in the top right corner of the area I'm working, put down a small ribbon of the polish I use and as the machine picks up speed I move right to left across that ribbon with the left edge raised so the polish is picked up without spatter. I repeat this move until I have a nice even but not thick distribution of polish over the pad.
Then I work like this. When moving the machine right to left, I pull with my left hand. My contact patch, because of a VERY SLIGHT TILT, is about 11 to 3. Imagine these lines ))))))) from 11 to 3 on a clock spread across a panel. Remember, the machine was running right to left. Now, I'm going to cut back across that same pass left to right by pushing with my left hand, but this time I'm going contact between 9 and 1. So, imagine these lines ((((((( from 9 to 1 right over the top of the first set. That's the cross cut. Then move down just a little and move right to left, come over that left to right, move down repeat. The distance I move depends on how much cutting I need to do. This is how I cut everything from the abuse scratches to sandpaper cut. For me, the point of a rotary is to remove scratches and leave swirls my next step can take out. That is to say, swirls most people wouldn't even notice, but I'm not going for a perfectly swirl free finish with that machine because while I can get there with my rotary, it's not as fast or effective as what I do.
One more advantage of this technique is that as the pad moves left to right, it leaves just a little polish at the bottom of the pass, but when you move right to left it cleans it off, so the action leaves the panel almost polish free. Nothing that can leave a mark during the wipe off stage. Also, as long as enough residue is being left on the one pass you know you don't have to add more polish.
When I get the scratches out, I use the BO6040 and an orange foam pad with polish to remove the swirls. It's faster and more certain. I go from colorsand scratch to swirl and cobweb free in two machine steps. No hand rubbing and no filler.
I read that HD Uno can get me there, from sandpaper scratch to swirl and cobweb free, in one step and I'm looking forward buying a sample and trying that. In fact, I think I'll go do that now.
All the best,
Robert