Hi guys and gals!
I would like everyone to contribute their views on:
1. Lighting conditions that help reveal the results of a well-detailed silver car.
2. Your favourite and/or different surface prepping approaches with silver cars.
LIGHTING CONDITIONS
I stumbled upon MichaelSpoot's comment (Feb2010) about well-detailed silver only showing off its potential in certain lighting situations (eg: in the shade, at certain angles, low light situations etc).I've noted this as well for many years, and thought it would be a good discussion topic because unlike dark colours, it's much more challenging to impress a customer with his detailed silver car.
Under bright direct sunlight, silver generally merely looks ultra-bright, sharp and clean with not much reflections if there are no surrounding objects close enough to the vehicle.
SURFACE PREP - SILVER
I'm a firm believer of very extensive prep for silver, because once prepped very well, most reputable LSPs produce good results, albeit with different characteristics.
I hv my own prepping approach (as do all of us). For example: Some might be satisfied with 1 round of compound, followed by Megs 205, and then straight to LSP. No right or wrong...depends on budget, time and so many other factors.
Assuming you're doing your own silver car, and aiming for MAX, and you hv all the time....in general terms, how would u prep your silver? Yes, I know that there are many types of silver, and of course, the hardness of clearcoats might influence your methods:
Let me share one of my favourite prepping approaches for silver (in general):
1. 2500+4000grit sanding
2. Megs 85 Diamond Cut with wool (2rounds)
3. Megs 85 foam pad rotary
4. Megs 205 foam pad rotary
5. Menz PO85RD with PC
6. 3M glaze (jewel with black pad and rotary)
7. LSP application starts.
Heavily-overcast sky, with dark storm clouds overhead. 5-10mins before a thunderstorm started. Greyish silver vehicle. Sanding and compounding done, and pic taken.
Not a photography enthusiast, so pls excuse for amateurish quality pic below. Can be challenging to capture silver's attractiveness via the camera
I would like everyone to contribute their views on:
1. Lighting conditions that help reveal the results of a well-detailed silver car.
2. Your favourite and/or different surface prepping approaches with silver cars.
LIGHTING CONDITIONS
I stumbled upon MichaelSpoot's comment (Feb2010) about well-detailed silver only showing off its potential in certain lighting situations (eg: in the shade, at certain angles, low light situations etc).I've noted this as well for many years, and thought it would be a good discussion topic because unlike dark colours, it's much more challenging to impress a customer with his detailed silver car.
Under bright direct sunlight, silver generally merely looks ultra-bright, sharp and clean with not much reflections if there are no surrounding objects close enough to the vehicle.
SURFACE PREP - SILVER
I'm a firm believer of very extensive prep for silver, because once prepped very well, most reputable LSPs produce good results, albeit with different characteristics.
I hv my own prepping approach (as do all of us). For example: Some might be satisfied with 1 round of compound, followed by Megs 205, and then straight to LSP. No right or wrong...depends on budget, time and so many other factors.
Assuming you're doing your own silver car, and aiming for MAX, and you hv all the time....in general terms, how would u prep your silver? Yes, I know that there are many types of silver, and of course, the hardness of clearcoats might influence your methods:
Let me share one of my favourite prepping approaches for silver (in general):
1. 2500+4000grit sanding
2. Megs 85 Diamond Cut with wool (2rounds)
3. Megs 85 foam pad rotary
4. Megs 205 foam pad rotary
5. Menz PO85RD with PC
6. 3M glaze (jewel with black pad and rotary)
7. LSP application starts.
Heavily-overcast sky, with dark storm clouds overhead. 5-10mins before a thunderstorm started. Greyish silver vehicle. Sanding and compounding done, and pic taken.


