mborner- Eh, I'm not thrilled with the following response, seems like a lot of nothing. But maybe you'll find something in it useful.
I always considered 845 to be a little on the "bright"/reflective side, even maybe a little "wet for a conventional LSP". If you want something even more along those lines, I'd 1) emphasize the final polishing, then 2) use something that provides the look you want with just one product. It's hard for me to see through your eyes to know just what that might be.
I would not glaze over top of 845. I doubt the glaze would adhere to the 845 and even if it doesn't create a smeary mess, I doubt it'd provide any benefit. If it did, you'd have to reapply the glaze frequently (at every wash).
I can't recall ever using a glaze under 845. I didn't do it because I assumed that the solvents/etc. in 845 would compromise the glaze. IMO it'd depend on the particular glaze in question. I'd use a "dry" one, not something like #7 (e.g., of the Meg's "pure polishes" I always preferred #5).
A bright/reflective/"?wet?" LSP like FK1000P/BWM1 might do it. I use that over top of glaze-like products and it works OK as long as I do the FK application gently. BUT..the "glaze-like product" I used isn't on the market any more and I don't know what to recommend.
BUT#2, I'd be astonished if nobody here has ever applied 845 over top of a glaze. It might work just fine. How's *that* for a "OTOH"?
