correction under flourescent lighting

I use flourescents on some cars. Since the tubes are so long, I can look at the reflection of the light on the panel for consistency along the whole length of the reflection from the flourescent (does that make any sense?). In addition, with some metallics, I find that halogens make the metallics pop so much, that it is hard for me to see the true quality of the paint - the metallic reflections distort it a little...in which case I pull out the flourescents as they are a little warmer, and don't make the metallics pop as much.



Here are a couple of examples of what I was saying about being able to evaluate the panel all along the length of the reflection from the flourescent....

Dogs118.jpg




Dogs135.jpg




The first shot is a black BMW hood, and the second is a metallic blue Honda hood.
 
jsatek said:
Does anyone do paint corrections under flourescent lighting exclusively?



I use halogen.



I only use flourescents for the compounding step. Finish polishing under flourescents is likely to end with a whole ton of hologramming - a car that looks perfect under them will sometimes look like a hack job in the sun.
 
I hate fluorescents!!!!! For over all lighting they work great (washing, vacuuming, wheels) but when it comes time to do paint correction, I hate nothing more than fluorescents. When inspecting paint you need the direct light of halo's. The only way you can see scratches and swirls is when light reflects of the edges of the scratches. Fluourescents have such a soft light that they don't reflect off of the edges of scratches. That is why when you can't remove a scratch (too deep) the best you can do is round off the edges. That way the scratch is not as noticeable (light doesn't reflect as well). Sun light is the most direct light you can have, hense why you can see flaws so well.
 
I have tons of fluorescents in my garage, but I don't use them for any corrective work. You really need to have more direct and intense lighting for spotting actual defects.



I really contemplated a ring of ceiling mounted halogens in my new garage, but decided against it in favor of the easily moveable stand lights. Sometimes you just need the light in an exact location, and stationary lights wouldn't really cut it.
 
gleam said:
How do you deal with heat from the halogens? I find the flourescents a lot cooler.



I keep the halogens back far enough that the heat isn't much of an issue...but then I'm working in a climate-controlled shop so I can just turn the thermostat down. In the previous shop, which would get well over 100f in the summer, I simply suffered through it.



Heat or not, being able to see the paint's condition is simply a required part of the job, and IME (which is pretty extensive when it comes to this topic) fluorescents won't show marring well enough for a proper detail.



Note that an incandescent light will usually generate a lot less heat than a halogen, and IMO it works better for final inspections anyhow.



You could use fluorescents for general illumination and then turn 'em off and use an incandescent or halogens to evaluate your progress. That way you could get by without having the hot lights on all the time.
 
I am currently working on a green, 03 Miata. I washed it, and inspected it in the sun. I could see a ton of swirls. I then pulled it into the garage, and looked it over with the Brinkman, and a halogen. I saw more swirls. I then, flipped on my flourescents, and saw stuff on the hood I couldn't see under the other lights. I saw spots where it looks like someone scrubbed bird droppings off, and a few other defects.



What's my point? I find that you should use as many different types of lighting during the inspection and correction phases. Depending on the type of paint (metallic, candy, pearl, etc...), you may miss a lot of stuff by not doing so.
 
weekend warrior- That's the best advice :xyxthumbs And yeah, much as I criticize fluorescents, some stuff does show up under them (just usually not scratches/swirls IME).
 
A lot of people criticize flouresenct lighting! when my wife and i got our new house attached to it was a body shop! i thought holy sh>T i walked in to a a huge compressor and all kinds of lights and a brand new detail shop for me to do work at home finally! and to top it off it has a drain. with a seperator. amazed we moved in! but anyway. my shop looks like the forth of july with all the flouresents. now i do use halogens all the time for all work but ill tell what i can see things in the flouresents that i can't see under halogens. so for me i like the mixture of both!
 
When it comes to flourescents, you need to have T5HO's. The biggest thing are the color temp of the bulbs. When it comes to working on paint, you need color temp between 5000K - 6500K. This color range mimics daylight to sun.



I was in a shop this year that had tons of T5HO's and I had asked the owner to turn some of them off cause I was actually seeing the defects in the basecoat, let alone the clearcoat. They made my 3000 watts of halogen seem very useless. They are the brightest units I have ever seen.



The only downfall is the price of these units depending on which one you want. They range from $150-$400.
 
Remember standard t8/t12 soft white flourescent bulbs will give you poor lighting and will barely show defects.



If you are on a budget and only want to replace the bulbs, then check out different color temps as an alternative.
 
rydawg said:
When it comes to flourescents, you need to have T5HO's. The biggest thing are the color temp of the bulbs. When it comes to working on paint, you need color temp between 5000K - 6500K. This color range mimics daylight to sun.



I was in a shop this year that had tons of T5HO's and I had asked the owner to turn some of them off cause I was actually seeing the defects in the basecoat, let alone the clearcoat. They made my 3000 watts of halogen seem very useless. They are the brightest units I have ever seen.



The only downfall is the price of these units depending on which one you want. They range from $150-$400.



Ya my buddy works at a electrical supply place and he showed me an 8 bulb T5 fixture, holy crap was it bright. I might have to ask him for a Christmas present.
 
rydawg said:
When it comes to flourescents, you need to have T5HO's. The biggest thing are the color temp of the bulbs. When it comes to working on paint, you need color temp between 5000K - 6500K. This color range mimics daylight to sun.



I was in a shop this year that had tons of T5HO's and I had asked the owner to turn some of them off cause I was actually seeing the defects in the basecoat, let alone the clearcoat. They made my 3000 watts of halogen seem very useless. They are the brightest units I have ever seen.



The only downfall is the price of these units depending on which one you want. They range from $150-$400.



Something like this Ryan? 4 Light T5HO Fluorescent High Bay 120V - 277V w/ Lamps - ProLighting.com



It says in the description "Replace your 400w metal halides 1 for 1. Equal light with 1/2 the cost to operate." They are that bright?



Interesting:



T5 HO/T8 vs. HID

Our T5HO & T8 Fluorescent High Bay Fixtures are specifically designed to replace conventional H.I.D. lighting in commercial / industrial applications. It's an ingenious blend of technologies as it combines the advantage of T5 and T8 linear fluorescent lamps with the mounting flexibility of high bays. The Fluorescent High Bay is an environmentally friendly lighting solution because it exceeds the demands of today's growing energy requirements.



The secret to these fixtures performance lies in the multi-faceted, enhanced aluminum reflectors that encase each lamp and focuses the output for maximum intensity. Coupled with the excellent color rendering, lumen maintenance, and energy efficiency of today's fluorescents, fluorescent high bay fixtures can be used in applications normally reserved for HID's.



Standard 400-watt metal halide fixtures rated for 36,000 initial lumens lose up to 45% of their lighting ability through depreciation and fixture inefficiencies. When compared to only a 6% loss of the T5HO Fluorescent High Bay rated for 20,000 initial lumens, the maintained lumen output is virtually the same.



A four-light 54-watt HO T5 high bay requires only 239 watts as compared to the metal halide which consumes 454 watts, a dramatic 50% savings in energy usage. In addition, the fluorescent high bay produces brighter, more even illumination with features like instant on, built-in switching and low-temperature operation.



Our FluorescenT High Bay Fixture has been designed to be Contractor Friendly by including features that make it easier to install and maintain. The fixture accepts multiple suspension methods including 3/4" threaded pipe for direct replacement of existing high bay fixtures.
 
Those are the ones. Good deal on those.



They are very bright. The 5000 kelvin temp is what makes them that bright and very crisp. They also put out a lot of lumens.



You'll see certain defects that you will not even see in the sun.
 
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