Day Four.
Perfection is in the Details.
Day four started with a warm sun and ray of optimism. The previous two dawns had seen the sky layered in thick clouds, where it would remain hidden behind a layer of thick clouds and constant rain. Friday called for a break from the wet climate, with the threat of sun shine in the afternoon. It had the potential to be the perfect ending to a long week.
I started by wiping the Lamborghini down with
Zaino Z6 and wiped clean with a plush microfiber to remove any dust that had settled over night and absolutely eliminate any chance for the surface marring during the various applications of different products.
Danasé Wet Glaze was applied for two coats with a cloth applicator.
DWG is an amazing product which added a level of wetness to the paint that it did not previously have. A truly perfect product,
Danasé Wet Glaze has the perfect optic enhancements for this color. Care was taken to apply the product to all painted surfaces in the door shuts, wheel compartment lips, and under the front trunk as well as the exterior of Luc Donckerwolke’s award winning design.
DWG glaze is acrylic in natural so it is perfect for trim items as well, such as the windshield wipers and textured plastic trim…
…as well as the paint work (in this case under the trunk).
Care was taken to apply the
Wet Glaze to all painted areas including the door and trunk hinges.
Even the trunk’s shocks benefits from a wetter, deeper shine.
A couple of “reflection shots” that hopefully show the wetter shine, courtesy of perfectly jeweled paint and
Danasé Wet Glaze.
Because
DWG has an instant cure time, it can be applied to the whole car then immediately wiped away. Since today’s goal was to finish all the detail work, I decided to top the door shuts and interior carbon fiber with a high quality carnauba wax to increase the jetting (wet look) and depth of reflection.
Rain Forrest Rub from
Dodo Juice is a soft, hand applicable wax high in carnauba content and natural oils. Like other hand applied waxes, a small section was scoped into the palms of one hand and rubbed together until it felt like Vaseline. Then the wax was then applied very thinly using the palms (preferably) or finger tips in tighter spaces.
The edge of the trunk shut…
… and under the trunk lid…
… and the door shuts…
…and the interior carbon fiber…
… all areas benefited from the in increased depth and warmth provided by the high quality wax. The wax was left to “set” for a couple minutes then buffed off with a plush microfiber.
Rain Forrest Rub was applied for two coats to all shuts and painted trim areas.
One of the reasons this Lamborghini did not received a full tilt detail in the engine is because the Spyder models have the V10 hidden underneath a large boot cover. However the area was dirty and could benefit from a clean up.
The Scottwax method of using
Optimum Power Clean and rinsing with
Optimum No Rinse allowed be to thoroughly degrease and wash the area with out getting any fallout on the perfect paint work. First
Optimum Power Clean was sprayed around the cover and engine bay and agitated with various brushes and rags. Then
Optimum No Rinse was used to with a plush microfiber to “rinse” the area, which was then dried with
Zaino Z6 and a separate microfiber.
303 Areospace Protectant was then used on the plastics and rubber and
1Z’s Gummi Phledge was used to seal and protect the weather stripping.
Because of its high resistance to thermo breakdown and ability to handle high heat,
Rejex was applied to the wheels to seal them from corrosive break dust and increase the shine.
The long durability and heat resistance also make Rejex perfect for all lights, including the tail lamps, side markers, door reflector lights, and head lamps.

.
Because
Rejex requires a long cure time of at least 30 minutes (although longer is better) other areas required attention as the sealant hardened. The wheel bolts where individually polished using an old staple:
Mother’s Mag and Aluminum Polish. Each was painstakingly (and time consumingly) polished with a cotton swab. The entire process took over 90 minutes, but I couldn’t imagine leaving such a detail out, even if the improvement was slight.
The car’s name plate and badge received the same treatment. With just a little pressure available from the cotton swab, I was surprised to see the metal bleeding oxidation (turning the swab black) and surprised at the dramatic increase in shine.
The tires were dressed with two coats of
Zaino Z16 Perfect Tire Gloss, applied with a foam block applicator. Because
Zaino Z16 is water based, it really requires a properly clean surface for the best look. However when applied to clean rubber the semi gloss shine is perfect.
A cotton swab was used to apply
Z16 into the small crease, where the tire tucked behind the lip of the wheel.
One area that had caused me concern was the condition of the original exhaust trumpets. They had turned yellow and had blue colored etching, likely from the high temperatures the 5.0L Lamborghini engine produces. After several frustrating applications of polish with 0000 steel wool I decided to refinish the tips
using Micro Abrasive Paper.
Micro Abrasive paper is very aggressive (their 1500 grit is equal in cut to 600 grit from other companies in my experience) and the uniform pattern and cotton backing makes it perfect for refinishing metal.
There various grits (1500, 1800,2400,2800,3200,4000,6000,8000, and 12000) sheets of paper where allowed to soak for 15 minutes.
Here is exhaust trumpet before.
Sanding with 1500 grit quickly removed the coloring and a little work removed the pitting and re-leveled the metal. However sanding scratches were definitely visible.
The surface was then sanded with each finer grit in succession. By the time 6000 grit was used the sanding scratches where no longer visible and the 8000 and 12000 grits both acted to polish the metal and increase the shine.
Final gloss was restored
using Meguiars’ M105 and a
green Euro foam finger applicator. Then the surface was buffed for final shine using
Mother’s Mag and Aluminum polish and cotton terry applicator.
