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Originally Posted by efnfast I did 83/G, then 80G, then some areas in 80/W .... it's a silver Infiniti ..... as best as I can tell, the 80/W didn't really do or add anything. I don't know if it's just because it's not needed, or because the silver color hides a lot of defects that you have to crane your head and manipulate your hallogen light around to really see..: |
Ah..and therein lies the secret, and the challenge, with silver
When you get your inspection setup *just* right, you'll see subtle/incremental improvements even with final polishing steps more gentle than the #80/white. On my *hard* clear silver Auids, my final burnishing is with *super* mild polishes like 1z MP on finishing pads, and yeah, it makes a little difference *IF* (big "if") I do the preceding correction just right.
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Out of curiousity, if there were only green pads, how did you apply wax? By hand, or with a green pad?
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Depended on the paint. On soft paints we did it by hand, but on harder ones we used the green pads. The green pads are functionally nonabrasive on many paints, especially when lubricated with wax (we were using Malm's liquid).
A similar example for the PC is the Griot's Garag pads; now he sells red waxing pads (which are *VERY* nice), but for years the only machine pads he sold were his orange polishing pads (*VERY* different from most orange pads, very mild even though they're firm) and they work fine for waxing on most paints.
It's all about whether the pad is *functionally* abrasive/not when used with a given product on a given paint (and if it's functionally abrasive, to what degree).